The Depth of Sound: Redefining Low Native Flutes
Building a low Native Flute is, above all, an exercise in patience and respect for the wood and the air. We know that reaching the lowest frequencies is one of the greatest challenges in lutherie: the fipple system becomes extremely sensitive, and the line between a muffled sound and a rich sound is very thin.
After years of practice, testing, and refinement, we are proud to announce that we have found the "Holy Grail" of low flutes. We have achieved the perfect balance that unites a pure, crystalline sound with a projection of depth and intensity. The result is a vibration that is not only heard, but felt in the chest — capable of instantly creating an atmosphere of meditation, contemplation, and deep peace.
But sound is not our only triumph. We understand that the anatomy of a large flute can be intimidating. Traditionally, low flutes require a finger hole spacing that challenges the hands.
To solve this, we developed an exclusive formula for the relationship between internal diameter, tube length, and hole position. This allowed us to maintain the accuracy of the musical scale, making the instrument accessible for most people.
And for those seeking supreme comfort, we offer the innovation of the side-blown mouthpiece. This clever design allows playing with the flute held horizontally, bringing the lower hand closer to the body and facilitating fingering, eliminating tension in the shoulders and arms.
Our low flutes are more than instruments; they are invitations to inner silence. We hope you enjoy this sonic wonder.


















































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