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A Baixo

Flauta Estilo Nativa Americana - Série Ground - Jaguar - A Baixo - Image 3

Flauta Estilo Nativa Americana - Série Ground - Jaguar - A Baixo - Image 4

Flauta Estilo Nativa Americana - Série Ground - Jaguar - A Baixo - Image 5

Native American Style Flute - Ground Series - Jaguar - A Low

Name: Flauta Estilo Nativa Americana - Série Ground - Jaguar - A Baixo | Flauta Nativa Ashar
Brand: Ashar
SKU: 87200
Price: 147.00 EUR
Availability: InStock

Original price was: € 164.00.Current price is: € 147.00.

Previsão de Envio: 12 Jan 2027

Native American Style Flute – Ground Series – Jaguar – A Low – 7 holes

Scale: Minor pentatonic with 7 holes
Body: Special Treated Rare Bamboo
Mouthpiece: Wood
Totem: Wood
Finishes: special painting, non-toxic natural lacquer, colored threads, vegan leather straps.

This flute is produced to order, especially for you! We ask for an average period of 60 business days for production and shipping. 100% handmade flute, there may be small variations in relation to the photo.

Tuning Reference

Standard: 440hz. LEARN MORE

Last Hole Alignment

Standard: Center VIEW For a flute with 6 holes, the 3rd top hole will be aligned proportionally. Example: “right lower hand” the last hole will be aligned to the right and the 3rd top hole will be aligned to the left.

Mouthpiece Extender

Explanatory video The mouthpiece extender (pipe) reduces the distance from the mouthpiece to the holes, which makes fingering easier for people with short arms.

Time

I understand that I am purchasing a handmade instrument, which will be placed on the waiting list after order confirmation, and I agree to wait the average period of 60 business days for the creation and shipping of this flute.

I accept 60 business days term

Para calcular o valor estimado do frete, primeiro adicione o produto ao carrinho de compras.

SKU: 87200 Categories: Flautas, Flauta Nativa, Ground Tags: flauta naf, flauta nativa, natural Brand: Flauta Nativa Ashar

The Depth of Sound: Redefining Low Native Flutes

Building a low Native Flute is, above all, an exercise in patience and respect for the wood and the air. We know that reaching the lowest frequencies is one of the greatest challenges in lutherie: the fipple system becomes extremely sensitive, and the line between a muffled sound and a rich sound is very thin.

After years of practice, testing, and refinement, we are proud to announce that we have found the "Holy Grail" of low flutes. We have achieved the perfect balance that unites a pure, crystalline sound with a projection of depth and intensity. The result is a vibration that is not only heard, but felt in the chest — capable of instantly creating an atmosphere of meditation, contemplation, and deep peace.

But sound is not our only triumph. We understand that the anatomy of a large flute can be intimidating. Traditionally, low flutes require a finger hole spacing that challenges the hands.

To solve this, we developed an exclusive formula for the relationship between internal diameter, tube length, and hole position. This allowed us to maintain the accuracy of the musical scale, making the instrument accessible for most people.

And for those seeking supreme comfort, we offer the innovation of the side-blown mouthpiece. This clever design allows playing with the flute held horizontally, bringing the lower hand closer to the body and facilitating fingering, eliminating tension in the shoulders and arms.

Our low flutes are more than instruments; they are invitations to inner silence. We hope you enjoy this sonic wonder.

Fingering and Note Chart for 5, 6, and 7-hole Native American Style Flute

Flutes are simple and powerful instruments, directly related to the vital movement of breathing, the exchange of energy through the breath that transports life, sound and allows expressing the unspeakable. Music, in particular melody, is nothing less than a range of vibrations interacting and relating to each other, the flute being one of the most suitable musical instruments for initiation into the universe of melodic relations and combinations.

The breath is the manifestation of life, the only thing we need to do in the first instance to keep ourselves alive is to breathe, and our respiratory system is at the same time involuntary and voluntary, it is possible to exert some control over it, so the act of blowing and producing sound is very magical because it is a creative act, it is movement; life!

The native flute has elements that favor musical awakening, that is, our innate ability to make music, and helps deconstruct the idea that only people with natural talent for music can make it.

In principle, every flute created by native peoples is considered a native flute, in the Americas, we have many native flutes, Brazil is rich in this regard, as many native peoples have their flutes. However, here we use the term “Native Flute” or Native American Style Flute, as a reference to a specific style of flute, developed in North America, whose current characteristics were only standardized in the second half of the twentieth century. Its main characteristic that differentiates it from other Amerindian native flutes is the fact that it has two chambers (slow air chamber and sound chamber) whose passage of air from one to the other happens through a block over a table creating a tunnel for the fipple (whistle/chimney). This characteristic offers a soft sound that is sensitive to variations of breath, in addition to facilitating the production of sounds.

What definitively marked the American native flute, with an unmistakable musical style, was the standardization of the minor pentatonic scale. This mysterious scale that takes us back to deep emotions and nature, was already used by other very ancient peoples. The minor pentatonic scale was incorporated into the native flute with a combination of elements that reason will hardly be able to explain, what we know is that this marriage combined in such a way that currently, the native flute has become a symbol of ancestral rescue, of connection with nature and a path of “return home”. What we can say is that words will not be enough to explain what you will feel when you play your native flute. I felt magic and beauty, vibrating peace and love in the universe; our mission is to share this magic with you.

The main advantage of the native flute is that it is an instrument of quick mastery, which facilitates musical initiation for people who have never played an instrument, creating the possibility of rescuing their musicality, acting as a powerful ally in meditative, respiratory and therapeutic practices. In a few minutes playing the flute you will notice its magical effects.

Our flutes are handcrafted creations worked one by one with great love. We care for the bamboos from harvesting, preparation, and drying for months. It is a slow and careful process. Each flute that is born has its unique personality. The photos of the flutes are references for you to choose and order your new flute. Due to the wide variety of models and customization possibilities, we need time for delivery:

The “Flute Time”.

For a flute to be born, there is an alchemical consciousness working in the invisible through 4 elements; the artisan is an interpreter of the process, and when integrated into the natural flow of the raw material and participates in each stage of gestation, develops the subtle art of knowing what each bamboo will become as a flute. The intention of the artisan is shaped by the form and nature of the material. The latent flute awaits the presence of the Being to manifest what it has been from the beginning!

If you are looking for an instrument of power and vibrational healing, this is our mission, and time is a value in our favor, necessary for the manifestation of an instrument with a Soul.

Range	Root Note	Approximate Length	Difficulty Level
High	E (MI)	38 cm	Easy
High	D (RE)	40 cm	Easy
High	C (DO)	43 cm	Easy
Medium	B (SI, TI)	45 cm	Easy
Medium	A (LA)	48 cm	Easy
Medium	G# (SOL #)	54 cm	Easy
Medium	G (SOL)	55 cm	Easy
Medium	F# (FA #)	60 cm	Intermediate
Medium	F (FA)	61 cm	Intermediate
Medium	E (MI)	63 cm	Intermediate
Medium	D (RE)	68 cm	Advanced
Medium	C (DO )	72 cm	Advanced
Low	B (SI, Ti)	76 cm	Advanced
Low	A (LA)	85 cm	Advanced
Low	G (SOL)	94 cm	Advanced

Weight	1.9 kg
Dimensions	8 × 11 × 80 cm
Estilo	Native American – NAF
Embocadura	Frontal de Apito
Escala	Kleine pentatoniek
Série	Aarding
Cores	Bambu Flambado

What is the Shipping Cost?

To know the actual shipping cost, you need to add the item to the cart, go to the checkout page, and fill in your address. After entering your complete address, wait for the page to be updated with the available shipping options and rates.

Is the flute ready or will it be made?

Our flutes are made to order. We want to make your flute! When you express the intention to acquire one of our flutes, your energy will directly influence the flute that will be born uniquely for you or for the person who will receive it. We offer many options and models, which makes it impossible to have all tunings and models available for immediate shipping, as our creation is 100% handmade, all flutes are tested one by one.

What is the Delivery Time?

The delivery time depends on the model, characteristics, degree of difficulty, availability of raw materials, etc... Each model has the average time defined in the flute description. It can vary from 15 to 180 days. Check the desired model and if you have any questions, contact us before making the purchase.

International Shipping

We are located in Brazil and ship to many countries, to find out if we ship to your region, add an item to the cart, go to the checkout page and see if your country is listed in the Country field. If your region is not on the list, contact us so we can add it.

Last Hole Alignment

The choice of the last hole alignment will depend on the size of the flute and which hand is used below to close the last three holes. The vast majority of people play with the right hand below, in this case, for large flutes, we recommend that the last hole be aligned to the right, as a way to facilitate the fingering of this last note on the flute without causing discomfort to the ring finger of the right hand, this way it is easier to close the holes. But if you use the left hand at the foot of the flute (lower part) then the last hole should be shifted to the left.

For small flutes such as High E, High D, High C, B, and A, there is no need for the last hole to be to the right, in this case it can be the standard center alignment, as the flute is small in size there will be no difficulties in covering the flute holes. Remembering that to know the approximate length of each flute according to the tuning, just check our Measurements Table. For medium flutes such as G#, G, F#, F, E, D, and C, for people who have small arms, hands, or fingers, we recommend requesting the last hole to the right or left, this way it is guaranteed that there will be no difficulties in performing the fingering on the flute. For bass flutes of great length and 6 holes, we shift the holes of the ring finger of the left hand and the ring finger of the right hand, so it is very important for us to know in advance which is the upper hand (used near the face) and which is the lower hand (used near the foot of the flute).

Wooden mouthpiece or natural bamboo mouthpiece?

Watch this video! The choice between the wooden mouthpiece or the natural bamboo mouthpiece does not influence the sound quality because the sound quality is related to the whistle of the Flute and with the block or totem. The air chamber, which is where we blow, serves only to conduct the air down to the block or totem and direct this air to the whistle. The wooden mouthpiece has the advantage of giving a differentiated finish, more aesthetic and also more ergonomic because you just need to lightly touch your mouth to the mouthpiece, without needing to open your mouth, just enough to cover the small area of the mouthpiece and blow. The bamboo flute with the natural open mouthpiece does not have the aesthetics of the wooden mouthpiece, but the sound quality is the same. The advantage of the open mouthpiece is that we can easily dry it when we finish playing and in the long term this makes a difference. This is the great advantage over the wooden mouthpiece because with the wooden mouthpiece, the entry is small and very difficult to introduce any artifact to clean it. With the open bamboo mouthpiece it is possible to perform this maintenance by drying with a cloth and also removing dust with a brush. So basically that is the difference between the wooden mouthpiece and the natural bamboo mouthpiece, it does not influence the sound quality. While the wooden mouthpiece has an aesthetic and ergonomic quality, the natural bamboo mouthpiece has an instrument maintenance quality.